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Search resuls for: "Claire McCardell"


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IN 1942, Claire McCardell, America’s most American designer, created her best-known dress, the denim Pop-over, so named because you could pop it on over other clothes to protect them during housework. Department-store buyers were so enamored of the Pop-over that they persuaded McCardell’s employer, Adolph Klein, to commit to a huge 75,000-yard denim order, assuring him the garment would be a sell-out hit. At the time, denim was a workingman’s textile that women rarely wore. He implored McCardell to come up with some other denim designs—just in case the order was overkill. (Klein needn’t have worried about the Pop-over: Priced at $6.95, it shattered sales expectations.)
Persons: Claire McCardell, Adolph Klein, Klein, McCardell, Klein needn’t
That will be followed in November by “Iris van Herpen. All of which should add up to a potent reminder of the breadth and contributions of women designers — not to mention a spur for the future. They decided to team up, but the Covid-19 pandemic intervened, postponing the show to this year. The result showcases the work of about 70 designers held in the Costume Institute’s collection, which stretches from the turn of the 20th century to today and includes names both famous (Jeanne Lanvin, Claire McCardell) and little known (Augusta Bernard, Madeleine & Madeleine). And it is a reminder that once upon a time, the industry looked very different.
Persons: Gaby Aghion, , “ Iris van Herpen, , Mellissa Huber, Karen Van Godtsenhoven, Huber, Van Godtsenhoven, Andrew Bolton, Jeanne Lanvin, Claire McCardell, Augusta Bernard, Madeleine Organizations: Jewish Museum, Institute Locations: New York, Paris
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